
If there may be one metropolis you may depend on to encourage, it’s the Massive Apple. And simply as its founder as soon as journeyed there to uncover a wealth of creativity, Chanel now returns to have fun this storied connection. Descending into New York’s underworld—fairly actually—for its 2026 Métiers d’Artwork assortment, Matthieu Blazy staged the present on an deserted subway platform, reworking the town’s most democratic house right into a runway of excessive craft and excessive character. For Blazy, the newly put in Inventive Director, recent off his triumphant Spring/Summer 2026 debut, the selection of venue was greater than theatrical.
“The New York subway belongs to all. Everybody makes use of it: there are college students and gamechangers; statesmen and youngsters,” he stated. “It’s a place stuffed with enigmatic but fantastic encounters… Like within the films, they’re the heroes of their very own tales.”
For this, Blazy leaned into that cinematic power with a gleeful conflict of archetypes. Pinstripes for energy gamers, neon animal-print skirt fits for membership children, feathered robes for showgirls, and coats with sufficient presence to cease downtown visitors. Chanel’s ode to New York unfolded as a celebration of the extraordinary hiding inside the on a regular basis—made doable by the extraordinary savoir-faire of the Maisons d’artwork.
The collection, which honours and spotlights artisans, roamed freely by way of many years and genres. There was a rewired Artwork Deco flapper costume with feathered fringes by Lemarié, “lingerie denim” embroidered into a brand new breed of western put on, and even lumberjack flannel reimagined in plush boucle tweed. Equipment carried their very own sense of marvel, from minaudières formed like oyster shells (full with pearls) to enamelled apple trinkets and glass cabochon jewels. Even silk linings advised tales—tiny tableaux of New York life, together with Coco Chanel strolling towards the skyline.
Characters materialised in all places in a leopard-tweed cat woman (or cat lady), a cultured urbanite with a gilded alligator–phantasm flap bag, and a girl gliding by in a Thirties slip embroidered with shimmering fish by Atelier Montex. By means of them, Blazy crafted a love letter between Paris and New York, penned by way of craftsmanship, humour, and a deep affection for the town that after helped Gabrielle Chanel rediscover her personal inventive spark.
Chanel 2026 Métiers d’Artwork
























