Jenna Ortega determined to take a web page out of fictional It-girl Carrie Bradshaw’s ebook this week for the purple carpet premiere of her new movie, Hurry Up Tomorrow, in New York Metropolis.
The actress stepped out in a bit of vogue historical past—the long-lasting Dior newspaper-print cowl-neck costume that Sarah Jessica Parker famously wore in Sex and the City. The John Galliano creation initially debuted in February of 2000 as part of Dior’s Fall/Winter ready-to-wear assortment earlier than it was recreated.
Not lengthy after it was seen in season 3 of Intercourse and the Metropolis, worn by Parker’s character as she ambushed Mr. Big’s spouse, Natasha, in a painful-to-watch scene. Whereas the occasions of the episode could have been mortifying, the look was something however and have become one of many character’s most iconic vogue moments, later making its return in a derivative film.
At her premiere, Ortega let the printed, asymmetrically hemmed quantity shine, conserving equipment to a minimal. She paired the costume with a easy gold pendant, bracelet, and strappy stilettos. The 22-year-old introduced her personal persona to the look together with her signature vampy glam and smooth straight hair.
The actress spoke to W Magazine concerning the look, gushing about the way it got here collectively as an ode to their host metropolis’s icons.
“My unbelievable stylist Enrique Melendez is obsessive about Intercourse and the Metropolis,” she laughed. “There’s in all probability nothing extra New York than Carrie Bradshaw.”
This wasn’t the one homage of the night time, although. On the premiere after-party, which occurred later that night time, Ortega made one other reference to considered one of Bradshaw’s timeless appears to be like.
The Wednesday-star stepped out in a DKNY pink minidress, impressed by the ‘bare’ costume seen in season 1 of the present, in addition to on the 1997 VH1 Vogue Vogue Awards on Parker.
Ortega layered the barely-there costume underneath a big fake fur coat and silver heels, once more, letting the costume do the speaking.
