The New York Occasions lately ran a poll asking well-known filmmakers, actors, and writers to call the very best films of the century to date. From Pedro Almodóvar to “West Side Story” and “Snow White” star Rachel Zegler, the Occasions requested dozens upon dozens of well-known individuals about their favourite characteristic movies launched for the reason that 12 months 2000 after which compiled their responses right into a High 100 checklist (ranked by which films received essentially the most votes). The ballot was similar to the polls that Sight & Sound holds as soon as each decade, solely restricted to releases from the final 25 years and welcoming a distinct group of filmmakers, writers, and executives to take part. (Sight & Sound additionally invitations critics and essayists.)
As of this writing, one can see lots of the High 10 lists submitted by the contributors, and, boy howdy, are a few of the selections fascinating. Alex Winter, the star of the “Bill & Ted” films and director of “Freaked,” “Zappa,” and “The YouTube Impact,” listed the latest Romanian comedy “Unhealthy Luck Banging or Loony Porn” as among the finest of the century, whereas Almodóvar listed “Ida,” “Dogtooth,” and Abbas Kiarostami’s “Ten.” To decide on a couple of extra at random, Julianne Moore listed “Phantom Thread” and “The 40-12 months-Previous Virgin,” whereas Karyn Kusama was keen on “Arrival,” “Mandy,” “Beneath the Pores and skin,” and “The Social Community.”
Star horror luminary Stephen King was additionally polled, naturally, and his selections had been maybe slightly extra mainstream than most, with a number of field workplace hits and Oscar darlings amongst them. King loved Ridley Scott’s “Black Hawk Down,” Ang Lee’s “Brokeback Mountain,” Martin Scorsese’s “The Departed,” the Coen Bros.’ one-two-punch of “O Brother, The place Are Thou?” and “No Nation for Previous Males,” and Christopher Nolan’s “Oppenheimer.” The one horror movies on his checklist had been “Prepare to Busan” and the 2025 New Zealand thriller “The Rule of Jenny Penn” (which options one in all John Lithgow’s biggest performances).
His checklist additionally included a movie directed by — and starring — Clint Eastwood. No, not “House Cowboys.”
Stephen King loves Million Greenback Child
Eastwood’s prolific Twenty first-century directorial output has elevated in each political energy and tonal mellowness. His movies are typically very laid again and emotionally disarming. Typically, Eastwood will make movies which can be sympathetic to a proper wing point-of-view, having helmed a number of options about trustworthy, hard-working People being attacked and pilloried by a “Huge Authorities” system. Impressively, Eastwood has directed 19 options within the final 25 years, beginning with “House Cowboys” and persevering with to, most lately, “Juror #2.” Some have been legit nice films, whereas others have been outright stinkers. (Nobody actually favored “J. Edgar” or “Jersey Boys”).
“Million Greenback Child,” which made King’s High 10 checklist, was an awards darling upon its launch in 2004, profitable the Oscars for Greatest Image, Greatest Director, Greatest Actress (Hilary Swank), and Greatest Supporting Actor (Morgan Freeman). It was additionally a large hit, incomes $231.9 million on the field workplace in opposition to a $30 million funds. It tells the story of an aspiring boxer named Maggie (Swank) as she seeks the tutelage of a burned-out boxing coach named Frankie (Eastwood). They acknowledge that career-wise, she’s on her approach up whereas he is on his approach down. Be that as it might, he trains her so nicely that Maggie begins knocking out her assorted opponents with a single punch. That is when the plot takes a dramatic twist, leaving Frankie to look after Maggie in a approach neither of them anticipated or deliberate for. “Million Greenback Child” has an intensely tragic ending as nicely, one that can go away audiences utilizing loads of tissues on the best way out.
This was a stunning selection for King, who, if he had been perusing Eastwood’s filmography, may simply have chosen a movie like “Mystic River,” “Letters from Iwo Jima,” “Hereafter,” or “Gran Torino” (a few of the filmmaker’s greatest films). As an alternative, he selected a large-scale Hollywood melodrama, one thing that feels prefer it may have come out within the Nineteen Thirties (the occasional f-bomb however). King did not elucidate on his selection, and no essays accompany his checklist.
After all, perhaps the man behind “The Life of Chuck,” “Stand By Me,” and “The Shawshank Redemption” merely has a sentimental aspect.
